2009 was about getting back into music in a pretty big way. Not only in listening to a whole lot more, but actually buying and even making some. I’ve pretty much dumped the idea of buying CDs from old skool shop type places and moved to buying it online or simply downloading it. I suspect this is because my music playing system(s) are all now digital. I haven’t had a CD player that works (aside from the laptop) for well over a year and my 30 year-old amp is fast becoming an anacronistic desktop weight rather than a well-used piece of music equipment. So I’ve started downloading stuff, which goes straight to the iTunes library and there to the numerous iPods/Phones that I have. And while purists might diss the quality of the mp3s and even the lossless compression versions, I really can’t tell the difference.

I even went back and saw some live events! And not just bullshit cello/turntable catastrophies. Seasick Steve in Manchester was great, the most superbly refrained standup audience I’ve ever been in with the exception of the devastatingly drunk lurching Chav Family, who found the experience so horrifying they had to stumble to freedom halfway through. But Daedelus at the ICA in July was awesome. Superb ninja shape cutting dancing and excellent music.

My own music is still in a very basic shape, but it’s slowly coming along.

Downpipe single cover

So what was I listening to and what did I like in 2009. One useful side effect of digitising my entire music listening experience is that it can all be measured. Unfortunately, none of the various measuring elements link to all my devices, which is a pain. Anyway, of all of them, the iTunes list is probably the most comprehensive. According to this, my top tracks for 2009 are:

• Blue Skies (Rabbit In The Moon) – BT feat Tori Amos
• Downpipe – Mark Knight & D Ramirez vs Underworld
• Theme From Long Good Friday – Francis Monkman
• Surf Solar – Fuck Buttons
• Gaia (Kaiser Souzai Remix) – Kaiser Souzai
• Come Into My World (Fischerspooner Mix) – Kylie
• Behind The Wheel – Susperia
• Hazy/Crazy – Da Hool
• Heaven Up Here – Echo & The Bunnymen
• Shattered In Aspect – Faith & The Muse

All of which gives a somewhat skewed view of 2009. However, if you look at just the music that was released in 2009 (or was new to me in 2009), a slightly different picture emerges.

• Downpipe – Mark Knight and D Ramirez vs Underworld
• Tarot Sport (album) – Fuck Buttons
• Temporary Pleasure (album) – Simian Mobile Disco
• The Resistance (album) – Muse
• Moon Soundtrack (album) – Clint Mansell
• My Way (album) – Ian Brown
• Tonight (album) – Franz Ferdinand
• It’s Not Me, It’s Doctor Rosen Rosen (album) – Lily Allen
• Runaway – Ladytron
• Hands (album) – Little Boots

While I managed to successfully resist the lure of the Maschine, I did fall victim to a few other musical bits and pieces – enough to warrent serious practice and a bit too much late night fiddling around. The main output being the first Lairds of Scunthorpe material.

It’s a mixture of experimental keyboard/sampling/beats and guitar. Here, hopefully, are a couple of examples.

Beats v1.0

Human League (Not)

Minimal effort video using a toy camera, iMovie and Logic for the music.

So yeah, I had the birthday, which was very enjoyable thanks for asking.

The Roundhouse playing piana

We went off to see the David Byrne ‘Playing The Building’ installation at the Roundhouse during one of its ‘bring your own tambourine’ evenings, which had the potential for both awesome spectacle and truly painful knitted raffia music. The reality was a bit half and half. I felt a little let down by the installation. While it’s a great idea – a kind of artistic Einsteurzende Neubauten (go google them) without the full on destruction – I thought it veered too far in the direction of installation rather than an actual functional experience. You can see that the single piano-cadavered instrument sitting in the middle of the Roundhouse makes a fantastic image, stark, empty and a fusion of ancient and modern, but it would have been far more interesting to have more instruments controlling the sounds made by the building. Certainly more people would have been able to interact with it than were allowed for by the single piano and you’d have had a much more exciting, cacophonic experience.

It was, however, a genius idea to allow people to come in on certain evenings with their own instruments. Again, this could have been a recipe for disaster. Instead it was somehow incredibly touching and polite as bunches of people with guitars, tubas, those mouthy blow organ things that the guy in Gang of Four had, toy instruments and a variety of other wind and percussive things strolled around the space playing their own things, while trying not to overwhelm anyone else. And while it could have gone all Glastonbury porridge field, it somehow didn’t. Not my usual thing, but really good.

View from Arundel Castle

Meanwhile in my search for the perfect iPhone app, I’ve discovered two really sweet ones. The first is the carefully hidden tilt-shift filter in Photo FX (find it in Lens fx /depth of field). Tilt-shift being the effect that makes everything look like it’s a teeny weeny little model as exemplified by my favourite Monster Truck videos (see this post). While hardly perfect, it’s pretty good as you can see from these images. I would like to be able to alter the blur areas but that’s just being picky.

The other great app is iDrum Underworld. A bunch of Underworld tunes, including Cowgirl, Born Slippy and King of Snake, which you can mix up and use to create your own stuff. Really compelling and pretty addictive. As one review said, ‘This steals your life’.

I’ve also started to get back into running using my favourite social media site (or at least the one I’ve been most active on), Nike+. I’m using their now-working-pretty-well Coach facility, which has me doing very simple daily runs, although that will ramp up as the weeks progress. You can follow my attempts to get one leg in front of the other on Twitter.

Very, very blue. Roger Hiorns' Seizure.

Having managed to be nominated for a Turner Prize, or at least responsible for having its creator Roger Hiorns nominated, it’s no suprise that the council responsible for demolising this old council house block somehow haven’t quite got around to breaking it up. In fact you get the feeling that if they could only find a way to levy a charge on this it would cover the building of a few new decent homes.

Still, Hiorns’ Seizure, a copper sulphase encrusted house that’s well worth seeing, has been reopened (until October 18 2009). It does make you wonder what they’ve been doing with it since they closed it at the tail end of last year. Anyway, it’s great and you all should go and stand in line to get your feet into the now probably very scabby festival gumboots you have to wear to get inside. You won’t be disappointed (foot infections aside). More info on Shapeandcolour and here, oh and here too.

Frankly if Hiorns doesn’t win the Turner Prize, then the art people need their heads examined.

Squire Jules in his new headgear

Went out to see the medieval jousting at Arundel Castle, where the Boon were able to equip themselves in a style they could only previously have dreamed about – real swords, super-vicious gauntlets and some quality headgear such as this forward thinking child encasing unit – simply place the unit on child and watch them bimble about merrily for the next ten minutes heroically bumping into stuff left right and centre. For double amusement equip child with a finely made longsword and back off quickly. We thought the Boon would be enthralled by the fine exhibition of olde worlde sword fighting and jousting, but it turns out they really raved over the castle, which was “A proper castle just like I wanted”. Best bit obviously being the Tower Guards’ outdoor toilet.

Meanwhile, the Lairds of Scunthorpe album has been developing at a pace over the summer. Currently there are 10 – 12 tracks being worked on, from material developed solely on the fantastic Beatmaker on the iPhone, to fully Logiced up songs with some neat beats. I want to get it to about double that before I start working out which ones to focus on.

As if this wasn’t enough I’ve been rewatching The Wire (like anything else is worth rewatching alright). Only this time I’ve added a new twist. I’m watching it in French with English subtitles. That way when I go over to France I’ll be able to talk in authentic Baltimore French, which I guess is a bit like McNulty’s genuine English. Spot On eh.